A young woman named Fuu is working as a waitress in a tea shop when she is abused by a band of samurai. She is saved by a mysterious rogue named Mugen and a young rōnin named Jin. Mugen attacks Jin after he proves to be a worthy opponent. The pair begin fighting one another and inadvertently cause the death of Shibui Tomonoshina, the magistrate's son. For this crime, they are to be executed. With help from Fuu, they are able to escape execution. In return, Fuu asks them to travel with her to find "the samurai who smells of sunflowers".
Setting and style
Samurai Champloo employs a blend of historical Edo-period backdrops with modern styles and references. The show relies on factual events of Edo-era Japan, such as the Shimabara Rebellion ("Unholy Union"; "Evanescent Encounter, Part I"); Dutch exclusivity in an era in which an edict restricted Japanese foreign relations ("Stranger Searching"); ukiyo-e paintings ("Artistic Anarchy"); and fictionalized versions of real-life Edo personalities like Mariya Enshirou and Miyamoto Musashi ("Elegy of Entrapment, Verse 2"). The content and accuracy of the historical content is often distorted via artistic license.
Historical context and Western influence
Samurai Champloo contains many scenes and episodes relating to historical occurrences in Japan's Edo period. In episode 5 ("Artistic Anarchy"), Fuu is kidnapped by the famous ukiyo-e painter Hishikawa Moronobu, a figure prominent in the Edo period's art scene.[3] Episode 23 ("Baseball Blues") pins the main characters in a baseball game against Alexander Cartwright and a team of American baseball players trying to declare war on Japan.[4] As for Western influences, the opening of the show as well as many of the soundtracks are influenced by hip hop.[5] In episode 5, Vincent van Gogh is referenced at the end in relation to Hishikawa Moronobu's ukiyo-e paintings.[6] A hip hop singer challenges the main characters in episode 8 ("The Art of Altercation") and uses break dance throughout.[7] In episode 18 ("War of the Words"), graffiti tagging, a culturally Western art form, is performed by characters as an artistic expression and form of writing. The ending of the episode has Mugen writing his name on the roof of Hiroshima Castle, the palace of the daimyō in Edo Japan.[4]
Sexuality
The topics of sex and sexual orientation are shown multiple times in Samurai Champloo. One topic that is frequently shown regarding sexuality is the use of brothels and prostitution. Brothels are seen in multiple episodes and are significant to the plot. The show includes Yakuza brothel ownership, characters being sold into prostitution and other issues regarding the subject. Another topic in the show is homosexuality, with one episode revolving around a homosexual Dutchman. This episode makes the claim that Edo-period Japan had liberal expressions of homosexuality that can most easily be compared to ancient Greece.
Characters
- Fuu: A spirited 15-year-old girl, Fuu asks Mugen and Jin to help her find a sparsely described man she calls "the samurai who smells of sunflowers". Her father left her and her mother for an unknown reason. Without her father around to support them, Fuu and her mother led a difficult life until her mother died of illness. After a not-so-successful stint as a teahouse waitress/dancer she saves Mugen and Jin from execution and recruits them as her bodyguards. A flying squirrel named "Momo" (short for momonga, "flying squirrel") accompanies her, inhabiting her kimono and frequently leaping out to her rescue. Her name, Fuu, is the character for "wind". In the title cards, her totem is Sunflowers.
- Jin: Jin is a 20-year-old reserved rōnin who carries himself in the conventionally stoic manner of a samurai of the Tokugawa era. Using his waist-strung daishō, he fights in the traditional kenjutsu style of a samurai trained in a prominent, sanctioned dojo. He is pursued by several members of his dojo as he had killed their master in self-defense. He wears glasses, an available but uncommon accessory in Edo-era Japan. Spectacles, called "Dutch glass merchandise" ("Oranda gyoku shinajina" in Japanese) at the time, were imported from the Netherlands early in the Tokugawa period and became more widely available as the 17th century progressed. His pair of glasses is purely ornamental, as Mugen later found out after getting a chance to peer through them. Although pictured in advertisements as smoking a kiseru, he was never depicted with one in the series. In the title cards his totem is a koi fish. He is named after one of the seven virtues of the samurai in Bushido, "Jin" (Benevolence).
- Mugen: A brash vagabond from the penal colony Ryukyu Islands, Mugen is a 19-year-old wanderer with a wildly unconventional fighting style. Rude, lewd, vulgar, conceited, temperamental and psychotic, he is something of an antihero. He is fond of fighting and has a tendency to pick fights for petty reasons. It is implied in a few episodes that he is also a womanizer, with his libido sometimes getting the better of him. He wears metal-soled geta and carries an exotic sai-handled sword on his back. In Japanese, the word mugen means "infinite" (literally, "without limit" or "limitless"). He was a former pirate. In the title cards, his totem is the rooster.[8]
Apart from this trio, other characters tend to appear only once or twice throughout the series.
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